![]() ![]() Gold brass contains a higher copper content than standard yellow brass, making the bell softer and dampening vibrations for a warmer tone quality. Although a #6 bell might sound slightly brighter than a #37 due to the shape of the flare, use of a gold brass bell in the Vintage eliminates that edge. ![]() ![]() Lead soldering of the bell rim wire adds clarity to and solidifies the sound. During the spinning state a piece of wire is place din to the bell rim. Several times throughout the manufacturing process the bells are annealed in high temperature ovens to soften the metal and relieve stress. Hand hammering converts sheets of special brass into trumpet bells. Like all Bach Stradivarius trumpets the Vintage will feature on-piece bell construction. A handsome silver-plated finish with gold-plated trim and distinctive engraving will protect and adorn the instrument. A longer mouthpiece receiver embraces the Bach Mt. In recreating the 1930’s look, the Vintage will incorporate hex-style slide pull knobs and wider bracing than found on today’s standard models. The Selmer Company pays tribute to this popular model by using it as the basis for its limited edition Vintage Bach Stradivarius trumpet. Olds, Elden Benge, and mouthpiece maker Frank Zottola at one time owned one of these Bach models. Famous musicians such as Harry Glantz, George Mager, F.E. In the period 1927-1930 Bach trumpets based on a #6 bell flare and #6 leadpipe were all the rage. While today the Bach model 180S37, based on the #37 bell flare and #25 lead pipe, stands as the world’s most popular trumpet, such was not the case during Vincent’s lifetime. ![]() After much experimentation he built his first trumpet in 1924. During his lifetime, the noted musician and engineer Vincent Bach (1890-1976) researched and developed countless instrument designs. “The limited edition Vintage Bach Stradivarius Model 6 trumpet actually dates back to the first quarter of the 20th century. ![]()
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